ARTIST BIOGRAPHY
 | Traditional Skill/Art: Bharatha Natyam Classical Indian Dance Years Won: 1996, 2015, 2018, 2021 and 2024 Contact Information: Phone: (503)-830-0496 Email: jayanthiramanpdx@gmail.com Website: https://www.jayanthiraman.com/ |
Jayanthi Raman is an acclaimed performer, choreographer, and master teacher of the classical Indian dance form Bharatha Natyam for over the past four decades. She is a reputed scholar of her art form and an acclaimed nattuvanar (Orchestra Conductor of the live orchestra accompanying a dance recital). She has performed and toured in US and internationally, reaching wide audiences, some of who had never seen this genre of art.
In addition to teaching at her school Natya, Jayanthi has served as an assistant professor of dance at Portland State University, becoming the "first Indian dance faculty member” in the Pacific Northwest. She is the author of three books on Indian dance and has presented lectures and master classes across the nation, including at the University of Washington, Reed College, George Washington University, University of Vermont, and Central Washington University.
Jayanthi is the recipient of the Oregon Arts Commission's Fellowship (2015) and a nine-time recipient of the Traditional Master Artist award from the State of Oregon (1996, 2015, 2018, 2021 and 2024) and the State of Washington (2003, 2005, 2009, 2010), rare honor for an out of State artist. She received the Traditional Arts Recovery grant in 2022-23 and the highly desired Creative Heights grant in 2016-17. She was nominated for an NEA National Heritage Fellowship (2017) and the US Artists Fellowship award (2018). She was the first artist of her genre to be awarded a National Dance Project NEFA-NDP award. Other prestigious grants include from the National Endowment for the Arts, US Artists International, American Library Association, and Oregon Council for Humanities.
Jayanthi has choreographed over 35 full-length dances and 600 individual and group works and presented over 2000 performances globally. Her work covers traditional as well as social themes, including immigration, pollution, and women's rights. Her dance company has performed at prestigious venues such as the Symphony Space-New York, Flynn-Vermont, Lied-Nebraska, Rialto-Atlanta, Wortham-Houston, Schnitzer-Portland, UW World Series-Seattle, Listner-Washington DC, and more.
"For Indians, this dance and music is part of our everyday lives, as it is intertwined with the social customs and festivals celebrated," Jayanthi said.
APPRENTICE BIOGRAPHY
 | Prekshita JainTraditional Skill/Art: Bharatha Natyam Classical Indian Dance Years won: 2024 Website: https://ofn.uoregon.edu/profile/prekshita-jain |
I was born in the culturally rich city, Bangalore in Karnataka state in South India. Being from a traditional South Indian family, I was exposed to a lot of classical music and dance forms early on in my childhood. I have been learning and performing classical and folk dances for past twenty years with over 100 performances both in India and in the US. In Mysore, India, I studied dance under guidance of Sheela Sridhar, in the Kalakshetra style of Bharatha Natyam, and completed my Junior/Intermediate grade exam successfully. I continued to perform in multiple cultural events in India before moving to the US.
Learning Bharatha Natyam over the past several years has not only helped me learn about and connect with my Indian culture, but has also helped me to be confident about myself and be proud of my heritage. As an artist, I highly prioritize maintaining the technique of Bharatha Natyam. Another aspect of Bharatha Natyam I value and enjoy is its emphasis on beat cycles. Growing up in family that plays music, rhythm has been natural instinct for me. However, the beat cycles in Bharatha Natyam are unique, complex, and require training to understand. My study of classical Carnatic music has given me strong foundation in the complex rhythmic structure which is also same rhythms followed in Bharatha Natyam dance.
Q&A WITH THE MENTOR ARTIST
I am a practitioner, teacher, and choreographer of the classical Indian dance Bharatha natyam for past four decades. I started performing since my childhood years and teaching since my teenage years. My move to the US, Portland brought me into a new realm twenty-two years ago. I worked hard to establish as a serious traditional artist never compromising my art form and maintaining its purity and authenticity, yet I was creative enough within the boundaries to be dubbed as a contemporary performer and choreographer by the National Press.
Teaching is my passion and I firmly believe that the generosity of a teacher is the only way an oral art form like classical dance can survive and prosper, preserved for future generations. I was the first artist in my genre to receive awards for my work over the years. Although accolades such as ‘cultural treasure’, ‘gold standard of Indian dance in the Northwest’ and ‘scholar’ etc., are rewarding; my true passion still is teaching the next generation of young dancers locally and continuing this tradition for future generations.
I had the good fortune and honor of learning from renowned guru of Indian classical dance in India, since I was four years old from Guru J. Venkatachalapathy of Kalakshetra and continued later under Guru Adayar Lakshman who is considered synonymous with the art form. He not only is a scholar of dance but also a renowned musician, who has students all over the world. In addition to dance, he is well versed in the theory, percussion, and history of dances, which he generously shares with his students. He has received the highest titles and awards for his contribution to the field of classical dance in India.
I studied dance and music for 14 years under his guidance and then started teaching at his institution. I had the fortune of staying in Gurukulam for a year to study the art form in depth from him. The traditional method of teaching in India is the Gurukula system (guru – teacher, kula – family). The Gurukula system involved living with the teacher as if the student was part of the family. Studying this art is part of an oral tradition. Education is a dynamic process, imbibed through living, traveling with the guru (teacher).
Requiring many years of training before a dancer is ready to perform; Bharatha natyam is an art form that relies heavily on the teacher-student bond in preserving and perpetuating the accumulated knowledge of the part. The dance is passed down through generations from teacher to student, without a formal notation, as the nuances are only appreciable and learned by seeing the master artist perform.
For Indians, this dance and music is part of our everyday lives, as it is intertwined with the social customs and festivals celebrated. I have been practicing the art form in lifelong pursuit, and the apprentice not only learns the art form but also its history and value in its cultural aspect and significance in the overall tradition in India. The tradition of this art can then be passed on to younger generations in the east Indian community and to the general public through performances.
Some Artistic highlights of four decades of work:
• Received ‘Arts Advocate’ award from BMK Trust, Chennai, India 2019
• Nominated for the US Artist Fellowship Award 2018
• Nominated for the NEA National Heritage Fellowship Award 2017
• Oregon Arts Commission – Individual Artist Fellowship award 2015 (first artist of her genre)
• 2015-16: Assistant Professor of dance at Portland State University – First Bharatha
Natyam faculty position in Northwest and first Indian dance faculty in Oregon
• Author of two books on Indian Classical Dance published May 2015, sold over 450 books locally and online
• Invited Speaker at many local and community events about dance, culture, mythology, music and allied topics.
• Traditional Master Artist Award of excellence in teaching, TAAP award, for seven years from OR and WA (as an out of state master artist):
University of Oregon Folklife Program: Master Artist Award for Teaching artist of Excellence: 2019, 2015, and 1996
Washington State Arts Commission: Master Artist Award for Teaching artist of
Excellence – rare honor as an out of state Master artist, and awarded for four
years: 2010, 2009, 2005, and 2003
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